In addition to Nosferatu, a few frames from the 1965 film Gamera, the Giant Monster are used in the short to illustrate Giles's wry observation about how lucky they were that the Living Fiction patterned itself after Nosferatu instead of a kaiju film.
#CAST HEAVY SHADOWS OF DOUBT MOVIE#
Giles notes that it's lucky the Living Fiction imprinted on a relatively easily-defeated movie monster like the vampire, as opposed to some gigantic kaiju. Baking essentially means precalculating tricky things into a. Most non-procedurally generated games feature baked lighting (and not just lighting actually, it means you can do all sorts of yummy baking). Cast a Giant Shadow is a 1966 big-budget action film based on the life of Colonel Mickey Marcus, and stars Kirk Douglas, Senta Berger, Yul Brynner. That’s great and everything, except when it comes to the technical challenge of lighting. Editing and post-production - Callum Brown, Bill Baggs Shadows of Doubt is a procedurally generated game. " Count Orlok"/ The Living Fiction - Max Schreck. Giles and Maxie then dispose of the once-again mundane film reel, just to be sure, and Giles is left to speculate as to what horrors might have been unleashed if the pink slime had fused with a movie about some gigantic monster instead of the relatively manageable vampire. This succeeds, with the monster losing Orlok's appearance to appear as an insectoid entity, before vanishing altogether. Though the reel appears indestructible, they eventually decide to try and expose it to sunlight, a well-known weakness both of vampires and of old film reels. Giles has a confrontation with the fictional vampire in a controlled setting, with the entity remaining on the other side of a sheet of reinforced glass protecting Giles from physical attacks - but he remains haunted by the image of the being, and imagery from the film at large, in his nightmares in the following night. Fusing with the fictional character at the centre of the film, a " clichéd vampire archetype", the extradimensional entity becomes able to project its life force, becoming real and physical as a piece of what Giles and Maxie decide to term Living Fiction.Īfter being responsible for numerous deaths, the "haunted" film reel is seized by local authorities and forwarded to P.R.O.B.E. discover that during the " Ecto-Space incident", some " pink goo" leaking through from Ecto-Space infected a film reel from a private collection. A mysterious film-reel is analysed by PROBE, proving to be very complex & deadly.Īs Giles later records in a video diary, P.R.O.B.E.
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